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Sayaka Ganz: Reclaimed Creations
December 4, 2020 - February 21, 2021
ARTIST TALK: 5:30 p.m. Feb. 5, 2021
View the previously recorded Sayaka Ganz Artist Talk here: Zoom Meeting Passcode for prerecorded Zoom is:
Sayaka Ganz uses mostly common household items to create animal forms with a sense of movement and self-awareness. Plastics are the most common materials used because of the variety of curvilinear forms and colors available. She manipulates and assembles them together as if they are brush strokes to create an effect similar to a Van Gogh painting in three dimensions. Ganz also works in scrap metal and makes vivid drawings. Her sculpture pieces can have a range of positioning as if coming out from the wall or placed on the floor or hanging from the ceiling. To begin sculputres, she does research on the subject to focus on and develop ideas to use for her design. She has been interested in animals since childhood. She creates an armiture to support the pieces she adds one by one, which can be time consuming. Some exhibitors have displayed her works incorporating colored LED lighting or painted background designs which enhance her works.
Ganz earned a Bachelor of Fine Arts degree at Indiana University Bloomington and a
Master of Fine Arts degree in sculpture from Bowling Green State University (BGSU)
in Bowling Green, Ohio.
"Sayaka Ganz: Reclaimed Creations," Produced by David J. Wagner, L.L.C., David J. Wagner, Ph.D., Curator/Tour Director."
A concurrent exhibit is on display in New Mexico Museum of Natural History and Science 1801 Mountain Road NW Albuquerque, NM from January 10-September 7, 2020
Permanent Displays of her work reside in
Port Canaveral, Florida
Paradise City, Korea
The Art Farm in Marquette, Nebraska
Financial assistance for this project has been provided by the Missouri Arts Council, a state agency.
Photo: Sayaka Ganz, Wisdom
Image of the artist and her work, photo by Adam Parsons
View the previously recorded Sayaka Ganz Artist Talk here: Zoom Meeting by pasting
this address into your search engine: https://semo.zoom.us/rec/share/ZNpmC6BkKnAJCc97pt0tQ-bAVBOi-sHKAm1BXu9c45yCq6o80HRP_QwFqxkaW3w9.btuyc0eeoj9qD-Um
Then, use the passcode: Rm^hnk0=
Make sure you have no extra spaces before or after that passcode.
VIMEO Videos involving Sayaka Ganz and her artworks
Youtube, Sayaka Ganz Reclaimed Creations, Exhibition at Crisp Museum Cape Giarardeau, Mo
Youtube, Recycle Artist Sayaka Ganz, Justin Crossley Production Design
Youtube Sayaka Ganz, Journey Indiana
Youtube Creating "Ghost" Horse Sculpture, Kelly Ganz
Youtube Sayaka Ganz : Work and Influences, David Cunningham
I grew up with Shinto animist belief that all things in the world have spirits. Thus, when I see discarded items on the street or thrift store shelves, I feel a deep sadness for them and I am moved to make these abandoned objects happy. My sympathy goes out equally to all discarded objects regardless of materials, but my current working material of choice is plastic. I use mostly common household items to create animal forms with a sense of movement and self-awareness. I use plastics because of the variety of curvilinear forms and colors available. I manipulate and assemble them together as brush strokes to create an effect similar to a Van Gogh painting in three dimensions.
One of the important tasks for artists of our time is to bring more of the natural world back into people’s lives, especially in urban areas. When we encounter the true wonders of nature, the beauty we behold transcends our intellects and reaches directly to our hearts. I desire a similar response from viewers of my work; to provoke a re-examination of our relationship to the natural world.
My work is also about perceiving harmony, even in situations that appear chaotic from the inside. When observing my sculptures up close, one might see gaps, holes and items being held on only by small points; step away, however, and the sculptures reveal the harmony created when the objects are aligned to the same general (but not identical) direction. Similarly, it is important to gain perspective by stepping back from current problems and look at the larger picture. Then one can perceive the beauty and patterns that exist. I tend to be very analytical about problems, but when I look too hard and closely at the details, all I see are gaps and differences of opinions. When I step back, I can see that although we may approach the problem from different angles, we often have larger goals in common.
I believe it is very difficult to think far into the future in terms of our ecological foot print. So often our predictions are wrong, and there are not guarantees for anyone’s future. I do not want to condemn the use of plastic or our desire for a more convenient, easier life. However, we must be aware that convenience has hidden costs.
I believe the best way for artists to help reduce waste is to show how beautiful these materials can be, and what can be done with these mundane objects and materials. When we think of these things as beautiful, we value them.
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518 S. Fountain St. (physical address)
Cape Girardeau, Missouri 63701